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James Bulley

Artist, Musician, Sound Designer
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Talk about Daphne Oram and Optical Sound, Camden Arts Centre, 3 February 2018

March 15, 2018

Writer Frances Morgan talks with contemporary composers Tom Richards, James Bulley and Sarah Angliss about optical sound and its framing in history, considering the work of electronic music pioneer Daphne Oram (1925–2003).

In batch1 Tags sound, daphne oram, oramics, mini-oramics, composition, drawn sound, camden arts centre
← Late at the Horniman Museum, 21 March 2019The Longplayer Conversation: Chris Watson and David Attenborough →

Recent News


Featured
Craftocene - Superflux website screengrab.png
Apr 21, 2026
Now open: 'The Craftocene' by Superflux at Weltmuseum, Vienna
Apr 21, 2026
Apr 21, 2026
Tansy-Spinks-Graphic-Score-lr.jpg
Jan 27, 2026
Forthcoming gig at Cafe Oto – Gentle Fire Reimagined, 1 March 2026
Jan 27, 2026
Jan 27, 2026
Recording with the Neumann KU100 binaural at Trinity Buoy Wharf Lighthouse
Jan 19, 2026
Dawn recording session at Trinity Buoy Wharf lighthouse
Jan 19, 2026

Recording yesterday at dawn with Ansuman Biswas and Jem Finer for a project for Longplayer, working with the Neumann KU100 binaural head at Trinity Buoy Wharf lighthouse.

Jan 19, 2026
Forthcoming exhibition with Superflux. 'The Craftocene' at Weltmuseum, Wien
Jan 16, 2026
Forthcoming exhibition with Superflux. 'The Craftocene' at Weltmuseum, Wien
Jan 16, 2026

The start of March 2026 will see the opening of a four room exhibition by artist group Superflux, The Craftocene, for which I am composing a series of sound scores, spatial sound pieces and a film soundtrack.

Jan 16, 2026


contact@jamesbulley.com