Performing in Longplayer Live at the Roundhouse

I’m hugely looking forward to performing as part of Longplayer Live at the Roundhouse, London on 5 April 2025. The performance of 1000 minutes of Longplayer’s score is 0720–midnight and celebrates the 25th birthday of Longplayer.

You can find tickets and further information here, and a lot more about Longplayer itself here.

Spend one unique day with Longplayer, live at the Roundhouse.

A 1000-year-long piece of music, Longplayer has been playing continuously since the first moments of this millennium and is composed to continue until the final moments of the next.

On 5th April 2025, Longplayer will return to the Roundhouse for a performance of the 1000-minute section of its score, as written for that particular time and date, from 7.20am to midnight.

Longplayer’s duration means that, given the unknowability of the future, its score was written so as to be independent of any one technology. For most of its life it has been performed by computers, while its caretakers, the Longplayer Trust, explore alternatives which have included the use of the human voice, vinyl records, code, a beam of light and, as first heard at the Roundhouse in 2009, live performance by musicians.

Akin to what Longplayer’s composer, Jem Finer, calls a ‘vast, Bronze Age synthesiser’, Longplayer Live is performed on a large orchestral instrument comprised of 234 singing bowls, arranged in six concentric rings and played by shifts of six to twelve people at any one time, reading from a graphic score.

Audiences can spend as long as they wish listening and watching, and are invited to move around or find a space to rest, with the possibility to leave and return to the venue throughout the performance’s duration.

Longplayer hopes to enrich intergenerational conversations about how we can imagine the future. For this 25th anniversary performance, 18 young people from the Roundhouse’s creative community will join the orchestra of musicians and artists: a meeting of present and future custodians who will shape Longplayer’s next 25 years.

Longplayer Live is generously supported by the Trinity Buoy Wharf Trust and Urban Space Management. Thanks is also due to Universal Works for their generosity in supporting, designing and making the performers’ clothing.
 

Longplayer Live. Photograph: © Jem Finer

 

Longplayer Live. Photograph: © Bruce Atherton and Jana Chiellino

 

Sound system update at Longplayer's London listening post

For the past twenty five years, Longplayer has been heard resonating in the Trinity Buoy Wharf lighthouse in East London. To celebrate reaching this milestone, at the end of 2024 we updated the entire sound system for an optimal acoustic experience. You can now hear Longplayer immediately upon entering the 19th century lighthouse, resonating in the centre of the Longplayer Live bowl installation, and in the circular lantern room at the very top of this historical building, with views across the Thames.

The updates were generously sponsored by EM Acoustics, who donated the speakers, and the Trinity Buoy Wharf Trust who enabled the purchase of a DSP and control by Yamaha and amplification by Power Soft audio. The new six channel speaker implementation was developed by Daniel Jones, and the system and sound designed by Simon Hendry, supported by James Bulley, a Longplayer Trustee. Installation support was provided by Richard Hards, Jake Tyler, and Dickie Cripps, with production support from Imogen Free.

If you haven’t visited our London listening post yet this year, come down and have a listen!

Tex: https://longplayer.org/news/2025/01/17/sound-system-update-at-longplayers-london-listening-post/