Doctoral researcher

September 2010— 
Sonic Arts, Music Department, Goldsmiths, University of London
Doctoral researcher and graduate representative for the Unit for Sound Practice Research

Progress Music (soundscape installation)

28 March—3 April 2017
Soundscape work made from field recordings by Daphne Oram.
Part of the Book Launch / Exhibition of BRICKS FROM THE KILN #2
Edited by Andrew Lister & Matthew Stuart

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E-LIFE (film sound)

March 2017 (premiere)
Dialogue Editor, Location Recordist, Sound Design and Soundtrack Composition

Tactus (talk)

Thursday 10 November 2016
Make:Shift Conference, Museum of Science and Industry, Manchester, UK

Living Symphonies (talk)
Tuesday 1 November 2016
Free Exchange, Fermynwoods, Northamptonshire, UK
as Jones/Bulley

Living Symphonies (talk)

Tuesday 27 September 2016
Forest Artworks Conference, Bristol, UK
as Jones/Bulley

Othello Suite (sound installation)

19 March—18 September 2016
Paccar Gallery, Royal Shakespeare Theatre, Stratford-upon-Avon, UK
Sound installation and score

Still Point

24 June 2016
St. John Smith's Square, London, UK
Realisation of Daphne Oram's 'Still Point' in collaboration with Shiva Feshareki

The Weather Cafe (sound composition and design)

1 —20 March 2016
Unit 1, 133 — 141 The Headrow, Leeds, UK
Sound composition and spatialisation for installation by David Shearing

British Library Soundspinning West Africa (workshop)

5 December 2015
British Library, London, UK
Workshop leader with Helen Frosi as part of the West Africa: Word, Symbol, Song exhibition

Tactus (sound landscape)

18 September—1 January 2016
Kaunas Biennial, Mykolas Žilinskas Art Gallery, Lithuania
20-channel tactile sounding score

The Talking Drum & Hornpipes (production)

13 October—7 November 2015
Vinyl Factory Space, Brewer Street Car Park, London, UK
Spatialisation design and installation assistant

Intravox (production)

1—12 November 2015
Lethaby Gallery, London, UK
Sound spatialisation and live composition design for Fred Deakin

Vespers (sound installation)

28 May—1 September 2015
Southbank Centre, London, UK
Sound installation as Jones/Bulley

A Thing Worth Keeping (sound composition)

July—August 2015
New Vic, London, UK
Sound composition for theatre piece

Oramics to Electronica (co-curation)

July 2011—12 July 2015
Science Museum, London, UK

Co-curator

The Panic Office (sound composition)

21 May—6 June 2015
Carriageworks, Sydney, Australia
Holloway composition, remixed as part of Thom Yorke's 18-day Subterranea soundtrack for Stanley Donwood's solo exhibition, 'The Panic Office'

Convergence (talk)

14 March 2015
Institut Francais, London, UK
Panel discussion: The New Digital Wave, chaired by Cecilia Wee

Bjork Biophilia Live Discussion (chair of panel discussion)

6 March 2015
Genesis Cinema, London, UK
Chair of panel discussion: Technology & Electronic Music

Mountaineering (sound composition and design)

3—15 February 2015
Roundhouse, London, UK
Composition and sound design for theatre piece by Non Zero One

The Weather Machine (sound composition and design)

5 — 7 February 2015
Stage, Leeds, UK
Composition for landscape theatre installation in collaboration with David Shearing

Progress Music (sound–film installation)

20—25 January 2015
London Art Fair, London, UK
Generative film-sound installation

Something You've Already Seen (sound composition)

10 October — 5 November 2014
The Fine Art Society, London, UK
Interactive performative installation with Non Zero One

Radio Reconstructions (broadcast)

29 October 2014
Concertzender Radio, Netherlands
Radio broadcast as Jones/Bulley

Progress Music (sound–film installation)

4—25 October 2014
South Kiosk, London, UK
9-channel film-sound installation

Variable 4 (sound installation)

5—14 September 2014
b-side Festival, Portland Bill, Dorset, UK
8-channel outdoor weather-driven sound installation as Jones/Bulley

Living Symphonies (sound installation)

26 August—7 September 2014
Bedgebury Pinetum, Kent, UK
24-channel outdoor forest-based sound installation as Jones/Bulley

20 Years of Archive Fever (sound installation)

12 July 2014
Freud Museum, London, UK
Sound installation with Anthony Stadlen and Guy Atkins

Living Symphonies (sound installation)

26 July—1 August 2014
Cannock Chase, Staffordshire, UK
24-channel outdoor forest-based sound installation as Jones/Bulley

Living Symphonies (sound installation)

21—26 June 2014
Fineshade Woods, Northamptonshire, UK
24-channel outdoor forest-based sound installation as Jones/Bulley

Sound and the City (curation)

June 9—11, 2014
Natural History Museum, London, UK
Curator

Living Symphonies (sound installation)

24—30 May 2014
Thetford Forest, Norfolk, UK
24-channel outdoor forest-based sound installation as Jones/Bulley

Histories, Theories and Practices of Sound Art Conference (conference co-director)

15—17 May 2014
Goldsmiths, University of London and the Courtauld Institute of Art, UK
Conference Director

Paul Smith App (sound design)

1 November 2013
Here
Sound Design for iPad Application

Radio Reconstructions (sound installation)

24 October 2013
South Kiosk 'Vestige', Design Museum, London, UK
4-channel radio installation as Jones/Bulley

Holloway (sound installation)

14 — 31 May 2013
Rough Trade East, London, UK
Soundscape installation with Stanley Donwood

14 May 2013
Faber & Faber Launch event, Rough Trade, London, UK
Tape playback

Goldsmiths E.M.S - Sound Arts (curation)

18:30—21:30, 9 May 2013
Queen Elizabeth Hall, London, UK
Curator

Radio Reconstructions (performance)

18:30—21:30, 9 May 2013
Queen Elizabeth Hall, London, UK
Performance as Jones/Bulley

Radio Reconstructions (sound installation)

6 March—15 April 2013
LimeWharf, London, UK
Sound installation as Jones/Bulley

Radio Reconstructions (broadcast)

8pm, 19 March 2013
Resonance.fm, 104.4FM, London, UK
Live radio broadcast from installation as Jones/Bulley

Radio Reconstructions (broadcast)

8pm, 12 March 2013
Resonance.fm, 104.4FM, London, UK
Live radio broadcast from installation as

Pilgrimage (sound composition)

16—24 November 2012
Wilton's Music Hall, London, UK
Composition and sound installation for verbatim theatre piece by Matthew Lloyd

And It All Comes Down To This (sound composition and design)

26—29 September 2012
Stage Theatre, Leeds, UK
Composition and Sound Design for immersive theatre piece by David Shearing

51°32'36, -0°3'25 (sound installation)

6—29 September 2012
Galerie8, London, UK
Sound installation as Jones/Bulley, with Daniel Jones for Ella Finer's Where We Meet, Volumes 1 and 2

Sho-Zyg (curation)

20—27 September 2012
St.James's Hatcham, London, UK
Sound Art Exhibition and Events Programme, co-curated with Kathrine Sandys.

You'll See Me (Sailing In Antarctica) (sound composition and design)

6—20 July 2012
National Theatre, London, UK
Composition and Sound Design for performance by Non Zero One

Maelstrom (sound installation)

16 May—10 June 2012
Museum of Science and Industry, Manchester, UK
12-channel sculptural sound installation as Jones/Bulley, with Daniel Jones

Consciousness (sound design and production)

2 March 2012
Barbican Centre, London, UK
Sound design and operation for performance with Marcus Du Sautoy and James Holden

xtet (sound installation)

2—3 March 2012
Barbican, London, UK
Multi-channel streaming sound installation

Maelstrom (sound installation)

24 November 2011
Barbican Gallery, London, UK
12-channel sculptural sound installation as Jones/Bulley, with Daniel Jones

This Is Where We Got To When We Came In (sound composition and design)

September 2011
Bush Theatre, Shepherd's Bush, London, UK
Composition and Sound Design for performance piece by Non Zero One

Variable 4 (sound installation)

22—25 September 2011
Elizabeth Castle, Jersey, UK
8-channel outdoor weather-driven sound installation as Jones/Bulley

Variable 4 (sound installation)

28—29 May 2011
Snape Maltings, Suffolk, UK
8-channel outdoor weather-driven sound installation as Jones/Bulley

Variable 4 (sound installation)

22—23 May 2010
Dungeness, Kent, UK
8-channel outdoor weather-driven sound installation as Jones/Bulley